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iTunes singles.Īmong artists, the denouncement of the slur was fairly universal, though subsequent responses varied as widely as the music styles of Brandi Carlile and Gabby Barrett. Too many fans were quick to point to the liberal use of the word in hip-hop songs, claiming that censorship and “canceling” should start in the Black community, while others channeled their anger into the charts, purchasing and streaming Wallen’s music with such fervor that, by night’s end, five of his songs were in the top ten on U.S. What other ugliness is hiding in plain sight, covered only by a sea of whiteness, where homogeneity renders respectability optional?Īll the while, as the Wallen fallout continued, the country-music community splintered, as it so often does.
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By afternoon, his label, Big Loud Records, had suspended him “indefinitely.” Come evening, the Academy of Country Music announced that Wallen was officially ineligible for 2021 ACM Awards consideration. By Wednesday morning, Wallen’s music had been scrubbed from terrestrial radio and streaming playlists.
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The video of a drunken, slur-spewing Wallen dropped on Tuesday night, and within hours, the answer was clear: Despite a culture of white supremacy that continues to suffocate country music from its center, the powers that be concluded that the N-word was a step too far, an action too deplorable to dismiss. 1 album in America for three weeks and counting? Would they overlook this egregious racism from the newest face of country, the man with the No. And as the rest of the world got a glimpse inside the country-music bubble - this thriving genre forever weighted with the baggage of the past, of backwoods clichés and redneck stereotypes - industry execs were forced to make a decision. The catalyst was, of course, Morgan Wallen’s N-word (hard - er) heard round Nashville, and later, the whole nation, via footage filmed by a neighbor leaked to TMZ. This time, for perhaps the first time, the industry is moving swiftly and, notably, in unison.
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Who could have possibly predicted that, in a city teeming with homegrown rap talent ready to blaze any verse on a trap-beat-backed country bop, Nelly, of early-aughts Country Grammar fame, would become bro-country’s fave feature? Well … anyone who’s paying attention.īut over the past two days, country music appears to have shaken free from its sluggish state, at least temporarily.
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Even the music itself lags like a download on dial-up if you want to get a good sense of what will top the country charts in the coming years, simply look to the pop, hip-hop, and R&B charts from the previous decade or even further back. It’s called a ten-year town because that’s about how long it takes most folks to find their place on Music Row - to hone their chops and refine their voice, but also to take enough meetings and hang at enough honky-tonks to be welcomed into the Über-exclusive club. The country-music industry moves notoriously slowly. Photo: Brett Carlsen/Getty Images for YouTube If Wallen’s behavior is only representative of “some” of the industry, where is the part that is safe for Mickey Guyton and other Black artists in country?